Bob Dylan Nobel Lecture THE NOBEL FOUNDATION 2. The Nobel Foundation has not obtained the right to assign any usage right to the Nobel Lecture to any third party, and any such rights may thus not be granted. All rights to the Nobel Lecture by Bob Dylan are reserved and the Nobel Lecture may not be published or otherwise used by third parties with one exception the audio file containing the Nobel Lecture, as published at Nobelprize. Nobel Prize, may be embedded on other websites. How Do You Off Soundcloud App' title='How Do You Off Soundcloud App' />Listen to Bob Dylans Nobel Lecture on SoundCloud. Nobel Lecture. 5 June 2017. When I first received this Nobel Prize for Literature, I got to wondering exactly how. We are building an independent SoundCloud, which is completely unique. You can can find artists there that dont exist anywhere else. Many are the. Not really. All music downloaded with this app is done so legally. Your not downloading anything illegally from Soundcloud at all. Backbone. js gives structure to web applications by providing models with keyvalue binding and custom events, collections with a rich API of enumerable. Listen to Bob Dylans Nobel Lecture on Sound. Cloud. Nobel Lecture. June 2. 01. 7When I first received this Nobel Prize for Literature, I got to wondering exactly how my songs related to literature. I wanted to reflect on it and see where the connection was. With vinyl stronger than ever, weve made it simple to hook up your turntable to your Sonos system and listen out loud to all the records you love. Are you a fan of Vidmate App Well, you can check our website to download the latest version of Vidmate Apk for Android or Windows devices for free. How we ended up with microservices. Sep 8, 2015 Microservices Value Stream Mapping SoundCloud Microservices are a thing these days. SoundCloud Go is a new premium music streaming service designed to compete with the likes of Spotify and Apple Music, but is it worth paying forIm going to try to articulate that to you. And most likely it will go in a roundabout way, but I hope what I say will be worthwhile and purposeful. If I was to go back to the dawning of it all, I guess Id have to start with Buddy Holly. Buddy died when I was about eighteen and he was twenty two. From the moment I first heard him, I felt akin. I felt related, like he was an older brother. I even thought I resembled him. Buddy played the music that I loved the music I grew up on country western, rock n roll, and rhythm and blues. Three separate strands of music that he intertwined and infused into one genre. One brand. And Buddy wrote songs songs that had beautiful melodies and imaginative verses. And he sang great sang in more than a few voices. He was the archetype. Everything I wasnt and wanted to be. I saw him only but once, and that was a few days before he was gone. I had to travel a hundred miles to get to see him play, and I wasnt disappointed. He was powerful and electrifying and had a commanding presence. I was only six feet away. He was mesmerizing. I watched his face, his hands, the way he tapped his foot, his big black glasses, the eyes behind the glasses, the way he held his guitar, the way he stood, his neat suit. Everything about him. He looked older than twenty two. Something about him seemed permanent, and he filled me with conviction. Then, out of the blue, the most uncanny thing happened. He looked me right straight dead in the eye, and he transmitted something. Something I didnt know what. And it gave me the chills. I think it was a day or two after that that his plane went down. And somebody somebody Id never seen before handed me a Leadbelly record with the song Cottonfields on it. And that record changed my life right then and there. Transported me into a world Id never known. It was like an explosion went off. Like Id been walking in darkness and all of the sudden the darkness was illuminated. It was like somebody laid hands on me. I must have played that record a hundred times. It was on a label Id never heard of with a booklet inside with advertisements for other artists on the label Sonny Terry and Brownie Mc. Ghee, the New Lost City Ramblers, Jean Ritchie, string bands. Id never heard of any of them. But I reckoned if they were on this label with Leadbelly, they had to be good, so I needed to hear them. I wanted to know all about it and play that kind of music. I still had a feeling for the music Id grown up with, but for right now, I forgot about it. Didnt even think about it. For the time being, it was long gone. I hadnt left home yet, but I couldnt wait to. I wanted to learn this music and meet the people who played it. Eventually, I did leave, and I did learn to play those songs. They were different than the radio songs that Id been listening to all along. They were more vibrant and truthful to life. With radio songs, a performer might get a hit with a roll of the dice or a fall of the cards, but that didnt matter in the folk world. Everything was a hit. All you had to do was be well versed and be able to play the melody. Some of these songs were easy, some not. I had a natural feeling for the ancient ballads and country blues, but everything else I had to learn from scratch. I was playing for small crowds, sometimes no more than four or five people in a room or on a street corner. You had to have a wide repertoire, and you had to know what to play and when. Some songs were intimate, some you had to shout to be heard. By listening to all the early folk artists and singing the songs yourself, you pick up the vernacular. You internalize it. You sing it in the ragtime blues, work songs, Georgia sea shanties, Appalachian ballads and cowboy songs. You hear all the finer points, and you learn the details. You know what its all about. Takin the pistol out and puttin it back in your pocket. Whippin your way through traffic, talkin in the dark. You know that Stagger Lee was a bad man and that Frankie was a good girl. You know that Washington is a bourgeois town and youve heard the deep pitched voice of John the Revelator and you saw the Titanic sink in a boggy creek. And youre pals with the wild Irish rover and the wild colonial boy. You heard the muffled drums and the fifes that played lowly. Youve seen the lusty Lord Donald stick a knife in his wife, and a lot of your comrades have been wrapped in white linen. I had all the vernacular down. I knew the rhetoric. None of it went over my head the devices, the techniques, the secrets, the mysteries and I knew all the deserted roads that it traveled on, too. I could make it all connect and move with the current of the day. When I started writing my own songs, the folk lingo was the only vocabulary that I knew, and I used it. But I had something else as well. I had principles and sensibilities and an informed view of the world. And I had had that for a while. Duct Installer Resume Sample here. Learned it all in grammar school. Don Quixote, Ivanhoe, Robinson Crusoe, Gullivers Travels, Tale of Two Cities, all the rest typical grammar school reading that gave you a way of looking at life, an understanding of human nature, and a standard to measure things by. I took all that with me when I started composing lyrics. And the themes from those books worked their way into many of my songs, either knowingly or unintentionally. I wanted to write songs unlike anything anybody ever heard, and these themes were fundamental. Specific books that have stuck with me ever since I read them way back in grammar school I want to tell you about three of them Moby Dick, All Quiet on the Western Front and The Odyssey. Moby Dick is a fascinating book, a book thats filled with scenes of high drama and dramatic dialogue. The book makes demands on you. The plot is straightforward. The mysterious Captain Ahab captain of a ship called the Pequod  an egomaniac with a peg leg pursuing his nemesis, the great white whale Moby Dick who took his leg. And he pursues him all the way from the Atlantic around the tip of Africa and into the Indian Ocean. He pursues the whale around both sides of the earth. Its an abstract goal, nothing concrete or definite. He calls Moby the emperor, sees him as the embodiment of evil. Ahabs got a wife and child back in Nantucket that he reminisces about now and again. You can anticipate what will happen. The ships crew is made up of men of different races, and any one of them who sights the whale will be given the reward of a gold coin. A lot of Zodiac symbols, religious allegory, stereotypes. Ahab encounters other whaling vessels, presses the captains for details about Moby. Have they seen him Theres a crazy prophet, Gabriel, on one of the vessels, and he predicts Ahabs doom.